IRS Officer Anwesh’s Low-Budget Masterpiece Earns Spotlight at the International NY Film Festival

Parijat Tripathi

A remarkable journey from government office to international cinematic acclaim

In a stirring testament to passion prevailing over limitations, Kathakar Ki Diary, a modestly budgeted film by 2013-batch IRS officer Anwesh, has secured official selection at the prestigious International New York Film Festival (INYFF).

Despite lacking major studio support, the film has been lauded for its emotional resonance and uncompromising realism—drawing critical comparisons to legendary auteurs such as Satyajit Ray and Mrinal Sen.

From GST to Cinema: A Civil Servant’s Parallel Calling

Currently serving as Joint Commissioner in the GST Department, Pune, Anwesh managed to balance his demanding official duties with his artistic pursuit. Shot across Mumbai, Pune, Odisha, and Jharkhand with a minimal crew and a shoestring budget, Kathakar Ki Diary was realized outside the conventional studio framework—demonstrating how artistic conviction can overcome institutional and financial odds.

Juggling his 9-to-5 responsibilities, Anwesh devoted late nights to editing, post-production, and meticulous planning, ensuring that his cinematic vision came to life without compromising his professional commitments.

A Chronicle of Ordinary Lives – Told with Extraordinary Dedication

Kathakar Ki Diary (translated as The Story of Ordinary Lives) is a poignant portrayal of common people, narrated with empathy and authenticity. Featuring over 200 local and theatre actors from Odisha, Mumbai, and Pune, the film weaves together the cultural richness of India with the raw energy of grassroots talent.

An Award-Winning Team of Collaborators

Though made on a limited budget, the project attracted some of India’s most distinguished film professionals. National Award-winning editor Aseem Sinha—renowned for his collaborations with Shyam Benegal—was so captivated by the script that he offered his expertise without charge.

The film also benefitted from the contributions of FTII alumni Krishna and Biswa Behura, whose work in post-production elevated the project to meet international technical standards.

Endorsements and Acclaim

At a private screening in Mumbai, veteran actor Shatrughan Sinha praised the film as “an international-level cinematic craft with living, breathing characters.” He likened Anwesh’s direction to that of masters like Ray and Sen, remarking, “It reminded me of my FTII days.”

Other prominent admirers include filmmaker Sejal Shah, producer Krishika Lulla, director Sai Kabir, social activist Rekha Rao, and trans rights activist Gauri Sawant.

Performances That Strike a Chord

The cast—Kapil Bhagwat, Yogesh Jadhav, Baby Aarohi Chatterjee, Ashlesha Sundermal, and Daniel Vincent—delivers performances marked by honesty and emotional depth, leaving strong impressions in early previews and screenings.

A Triumph for Indian Indie Cinema

The selection of Kathakar Ki Diary at INYFF is not only a milestone for Anwesh but also a proud moment for independent Indian cinema. It reaffirms that stories rooted in truth, when told with sincerity, can transcend barriers of budget and reach a global audience.

The film stands as a compelling reminder to aspiring artists: creativity, collaboration, and courage can defy convention—and even a civil servant can successfully don the mantle of filmmaker while upholding professional duties.

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